Splice Competitors

We help media visionaries create art that colors our perceptions and enriches our culture. We make innovative technology and collaborative tools that inspire and spark joy so creators can entertain, inform, educate and enlighten the world. We believe in our artists. We believe in our industry leaders. And we believe in the future of entertainment. We have a rich, 30-year history of powering media and entertainment. But we know our history doesn’t determine our future, so we are always evolving, committed to making good better and better best. We make many products, but we only do one thing: maximize the mediums of amazing makers. At Avid, every minute, of every day, we are powering greater creators.

There’s a global community of music makers creating and performing music with Ableton creative tools: Live, Push, Link, Move and Note. They are sharing and exploring ideas through Loop, Learning Music, and Learning Synths. Ableton was set up in Berlin in 1999 by the same musicians who lead the company today. Now it's made up of around 500 employees across the world, working together on products that inspire people to get started and go further as music makers. At Ableton, we come from a wide range of cultural and professional backgrounds. We’re committed to becoming a truly inclusive workplace, providing equal opportunity in both our recruitment process and in the subsequent growth of an employee. What connects us is the shared belief that each of us has the skills and knowledge to contribute to the future of music culture. Ableton's Imprint: http://www.ableton.com/imprint/ Ableton's Privacy Policy: https://www.ableton.com/en/privacy/

Jim Odom and Brian Smith founded PreSonus in 1995 with the goal of building professional and affordable music production tools for musicians and audio engineers. PreSonus began in Jim’s garage and moved to the second floor of Causey’s Furniture in downtown Baton Rouge, Louisiana, where it stayed its first three years. PreSonus’ first product, the award-winning DCP8, digitally controlled 8-channel compressor/limiter/gate, holds a patent for analog control over digital circuitry. Truly ahead of its time, the DCP8 was designed for the studio engineer to insert 8 channels of analog compression with the ability to save, recall and automate settings which where features only found in mixing consoles costing more than $100,000. At Causey’s location, PreSonus designed and built the ACP8, an analog version of the DCP-8, the BlueMax two channel tube compressor, and the ACP22 dual compressor/limiter/gate. In 1998, PreSonus moved to its current location at the Baton Rouge Bon Carre Technology Park. Throughout the past decade, PreSonus has developed innovative professional and affordable tools to the music creation industry with the purpose of enhancing the music creation and production process. Http://www.presonus.com