CINEPLEX Competitors

Based in Brooklyn, NY, Visit Films is a world sales company specializing in daring and original work from diverse filmmakers all around the globe. Visit represents Oscar-nominated and award winning films from the world's top festivals, including Cannes, Berlin, Sundance, Rotterdam, Toronto, SXSW, Tribeca, and many more. With years of extensive expertise and a catalog of 200+ titles, Visit understands what it takes to navigate today's constantly evolving market. As one of the only true worldwide sales companies with a strong presence in the American market handling sales to N. America, the company is able to strategize and plan for coordinated worldwide releases. Visit works on films in all stages from development to completion and licenses to theatrical distributors, DVD/digital outlets, and broadcasters. Additionally, the company works with hundreds of festivals and non-theatrical screening venues each year to program its slate of titles. Visit has helped to launch some of today's most talented and innovative filmmakers, including the Safdie brothers, David Robert Mitchell, Eliza Hittman, and Kogonada, while continuing to cultivate relationships with steadfast auteurs such as Werner Herzog, Harmony Korine, Shane Carruth, and the Duplass brothers. Visit Films is also the parent company for US based distributor Monument Releasing and the feature and documentary development incubator Pretty ____ Ideas.

INDIESTORY strives to create a new culture and make new history for independent films by systematically distributing Korean independent feature films, short films, animations, and documentaries both within Korean and overseas market. INDIESTORY named from "indie" and "history", proposes to share our unique stories in Korean independent films. INDIESTORY aims to establish a stable distribution system and to provide an innovative marketing plan for independent films. INDIESTORY distributes short films and independent feature films armed with the distribution knowhow gained over 15 years since its establishment as well as with the help of a stable network. For independent feature films, INDIESTORY began its distribution business with [Teenage Hooker Became Killing Machine in DeaHakRoh](2000). Since then, INDIESTORY has been opening up multilateral avenues in film distribution, ranging from theatrical releases and community screenings to the secondary market, for many independent feature films including [ Yellow Flower ](1998), [ Repatriation ](2003), [ Five is Too Many ](2005), [ Sundays in August ](2006), [ Who' s That Knocking at My Door? ](2007), [ Bandobi ](2009), [ Re-encounter ](2010), [ Dancing Cat ](2011), [ PADAK ](2012), and [ The Dinner ](2013). [ Old Partner ](2008) was a film that gave new hope for independent feature films when the film set a surprising record of attracting 2,950,000 audience members to the theater. Based on such experience, INDIESTORY is endeavoring to expand the profit for independent films by firmly establishing a distribution system for independent feature films through innovative marketing that is solely focused on independent films. INDIESTORY will lead the way in creating ' value' for independent films in the Korean film market. INDIESTORY strives to provide the quickest way to the overseas market and to serve as an independent film' s platform that introduces outstanding foreign films. INDIESTORY submits films every year to prestigious international film festivals including ...

Cannes Film Festival, European Film Market in Berlin, The American Film Market in Los Angeles, MIP-TV and MIPCOM in Cannes. Festivals The G-Machine, Inc. attends major international festivals including The Sundance Film Festival, Toronto International Film Festival, Berlin Film Festival, Cannes Film Festival The G-Machine acquires distribution rights to critically acclaimed and commercially viable independent feature films and documentaries. Once acquired, The G-Machine markets and sells those rights to film distributors, television stations, video/DVD distributors, pay-TV outlets and internet video-on-demand portals in foreign countries outside of North America. Content Acquisitions