Sullivan+Strumpf Competitors

Das Kunsthaus ist das grösste Kunstmuseum der Schweiz und bietet attraktive Ausstellungen von internationalem Format und eine der grössten Kunstsammlungen der Schweiz, vom 13. Jahrhundert bis in die Gegenwart. Mit rund 24‘000 Mitgliedern ist sein Trägerverein, die Zürcher Kunstgesellschaft, einer der grössten Kunstvereine Europas.

Established in Sydney in 1982, Roslyn Oxley9 Gallery has a rich history of supporting contemporary art, having fostered the careers of some of the most influential Australian artists working today, including Tracey Moffatt, David Noonan, Fiona Hall, Patricia Piccinini, Bill Henson and Dale Frank. As one of the most well-established Australian commercial art galleries, Roslyn Oxley9 Gallery has been exhibiting at international art fairs for more than 25 years and is committed to presenting a diverse schedule of exhibitions by international artists. The gallery program includes presentations by Mark Newson, Pierre et Gilles, Erwin Olaf, Robert Mapplethorpe, the Young British Artists, Moriko Mori, Elmgreen and Dragset, Tracey Emin, Hernan Bas, Michael Bell-Smith, Isaac Julien, Yayoi Kusama, Wim Delvoye, Tatzu Nishi and Jim Lambie. The gallery continues to foster the careers of younger artists whilst maintaining a dynamic exhibition program that represents established and international artists.

The White Rabbit Gallery was opened in 2009 to showcase what has become one of the world’s most significant collections of Chinese contemporary art. Dedicated to works made in the 21st century, the White Rabbit Collection is owned by Judith Neilson, who was inspired to establish it on a 2001 trip to Beijing. She was thrilled by the creative energy and technical quality of the works she saw and wanted to share them with people outside China. She makes regular trips to China and Taiwan to augment the Collection, which now includes about 2500 works by more than 500 artists. The Gallery building, a Rolls-Royce service depot in the 1940s, was completely refitted as an exhibition space. Since the Gallery can house only a fraction of the Collection at any one time, there are two new exhibitions a year, each involving a full rehang. For this reason, the Gallery closes during installations, usually in February and August. The White Rabbit Gallery is a registered charitable institution funded solely by Judith Neilson. Admission is free.