Final Draft, a Cast & Crew Company, has published Final Draft® software – the number-one selling screenwriting application in the world – for 27 years. Final Draft automatically paginates and formats your script to industry standards, allowing writers to focus on what they do best – writing scripts. Used by such industry giants as J.J. Abrams, James Cameron and Aaron Sorkin, Final Draft software is the professional’s choice and the entertainment industry standard. In addition to its flagship software product, Final Draft offers the annual Big Break℠ Contest – a screenwriting competition that launches careers, and awards over $80,000 in cash and prizes. Final Draft also offers the Final Draft Mobile® app for iPhone and iPad, making creativity truly portable. To learn more about Final Draft and its products and services, visit: www.finaldraft.com
Coverfly, a wholly-owned subsidiary of Backstage, connects emerging writers with Hollywood, guiding writers to improve their craft and career through partnerships with top competitions, fellowships, and coverage providers. We offer a variety of programs to showcase great talent, while being good stewards of aspiring writers as they determine their next step forward.
Coverfly writers get access to free programs like:
- Pitch Week: Apply to meet virtually with literary managers, agents, and producers.
- Virtual Live Reads: Virtual table reads with professional actors.
- Fee Waiver Program: Apply to have fees for submissions to top programs on Coverfly waived.
- Career Mentorship: A free 6-month mentorship with professional writers.
- Industry Mandates: Submit to industry partners looking for specific types of projects.
- Career Lab: Join Coverfly for a series of workshops and talks on writing.
Are you an industry professional? Apply for industry access at https://industry.coverfly.com to find your next great project or writer or contact us to learn about our customized virtual reader rooms for lit management firms, prod cos, and agencies!
The Black List is a platform for writers to showcase their projects for industry professionals and get evaluations from readers we vet and keep checking.
It began as a survey. In 2005, Franklin Leonard asked seventy-five film development executives to name their favorite screenplays that no one had yet produced, and published the answers. The list has run every December since, and it has always been free.
Since 2005, more than 500 scripts on the annual Black List have been produced as feature films, grossing over $30 billion at the worldwide box office and winning 60 Academy Awards from 284 nominations — including four Best Picture Oscars since 2007 and 13 of the last 38 Best Screenplay Oscars. Those are the annual list's numbers, not the platform's.
In 2012 we built the platform. Writers anywhere in the world, working in English, host their screenplays, pilots, plays and novels, and can pay professional readers to evaluate them. Readers are paid a fixed fee per read, and two-thirds of every evaluation dollar goes to the reader. Development executives, agents, managers, producers, directors, actors, and editors search it, read the work they find, and sometimes they get involved with bringing it to audiences.
The Black List is also a submission partner to the Academy Nicholl Fellowship in Screenwriting.