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MUBI
MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI creates, curates, acquires and champions visionary films, bringing them to audiences all over the world. MUBI is a place to discover ambitious films by visionary filmmakers. From iconic directors to emerging auteurs. All carefully chosen by MUBI’s curators. With MUBI GO, members in select countries can get a free ticket every week to see the best new films in cinemas. And Notebook explores all sides of cinema culture — both in print and online. Founded in 2007 by Efe Cakarel, MUBI is the biggest community of film lovers anywhere, with members across 190 different countries. MUBI acquired renowned sales agent and production company The Match Factory and Match Factory Productions in January 2022, and a majority stake in leading Benelux film distributor Cinéart in February 2024.
New York, US
Private
$77.1M Revenue
http://mubi.com
520 Employees
IndieWire
Founded in 1995, IndieWire is the premier outlet for news, features, reviews, and information about independent film and media. A division of Penske Media Corporation, IndieWire serves the industry, the filmmakers, and the fans.
New York, New York, US
Private
$28M Revenue
http://www.indiewire.com
54 Employees
The Criterion Collection
OUR MISSION Since 1984, the Criterion Collection, a continuing series of important classic and contemporary films, has been dedicated to gathering the greatest films from around the world and publishing them in editions that offer the highest technical quality and award-winning, original supplements. Over the years, as we moved from laserdisc to DVD, Blu-ray disc, and online streaming, we’ve seen a lot of things change, but one thing has remained constant: our commitment to publishing the defining moments of cinema for a wider and wider audience. The foundation of the collection is the work of such masters of cinema as Renoir, Godard, Kurosawa, Cocteau, Fellini, Bergman, Tarkovsky, Hitchcock, Fuller, Lean, Kubrick, Lang, Sturges, Dreyer, Eisenstein, Ozu, Sirk, Buñuel, Powell and Pressburger. Each film is presented uncut, in its original aspect ratio, as its maker intended it to be seen. Every time we start work on a film, we track down the best available film elements in the world, use state-of-the-art telecine equipment and a select few colorists capable of meeting our rigorous standards, then take time during the film-to-video digital transfer to create the most pristine possible image and sound. Whenever possible, we work with directors and cinematographers to ensure that the look of our releases does justice to their intentions. Our supplements enable viewers to appreciate Criterion films in context, through audio commentaries by filmmakers and scholars, restored director’s cuts, deleted scenes, documentaries, shooting scripts, early shorts, and storyboards. To date, more than 150 filmmakers have made our library of Director Approved DVDs, Blu-ray discs, and laserdiscs the most significant archive of contemporary filmmaking available to the home viewer.
New York, New York, US
Private
$164.9M Revenue
http://www.criterion.com
101 Employees

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