Phillip Kovats Email & Phone Number
SVP, Head of Audio @ Arrival
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Phillip Kovats Location
- Los Angeles, CA, US
Phillip Kovats Work
- SVP, Head of Audio @ (April 2026 - Present)
- Sr. Director of Sound, PlayStation Studios and and Creative Arts @ (June 2021 - April 2026)
- Director of Sound, PlayStation Studios and and Creative Arts @ (March 2018 - June 2021)
- Audio Director @ (August 2010 - March 2018)
- Sound Design Manager @ (February 2006 - August 2010)
- Sound Supervisor @ (March 2004 - February 2006)
- Sound Designer @ (January 2003 - January 2005)
- Sound Designer | Re-Recording Mixer @ (January 2002 - January 2004)
- Sound Designer | Re-Recording Mixer @ (January 2000 - January 2002)
- Sound Designer @ (January 1999 - January 2001)
- sound designer + re-recording mixer @ pacific soundwaves (January 1998 - January 2000)
- sound design + editor @ (January 1997 - January 1998)
- sound editor @ Serafine Studio (January 1997 - January 1997)
Phillip Kovats Education
- Austin College
BA Business (Business/Psychology)
1989-1993
Phillip Kovats Skills
- Sound Design
- Audio
- Video Games
- Television
- DVD
- Field Recording
- Sound Editing
- Pro Tools
- Sound
- Game Development
- Recording
- Audio Mixing
- Dialogue Editing
- Console
- Audio Post Production
- Mastering
- Film
- Sound Forge
- Post Production
- Surround Sound
- Audio Engineering
- Dialogue
- PS3
- Perforce
- Audio Editing
- Game Sound Integration
- Audio Production Management
- Management
- Mixer
- Foley
- SFX
- Customer Service
- Photoshop
- Microsoft Excel
- Audio Production
- Music
- Public Speaking
Phillip Kovats Summary
- Phillip Kovats, based in Los Angeles, CA, US, is currently a SVP, Head of Audio at Arrival. Phillip Kovats brings experience from previous roles at PlayStation and Naughty Dog. Phillip Kovats holds a 1989 - 1993 BA Business in Business/Psychology @ Austin College. With a robust skill set that includes Sound Design, Audio, Video Games, Television, DVD and more. Phillip Kovats has 4 emails and 3 mobile phone numbers on RocketReach.
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