Strip away the awe-inspiring AV spectacles, the peak-time DJ voyages in front of huge crowds the world over, the lofty certifications bestowed upon him by platforms of both academia and electronica at the core, Max Coopers mission as a musician, a DJ and an interdisciplinary artist is all about provoking a greater understanding. So why is the man himself a touch misunderstood? For once, this is a case of scaling down, rather than up. There is no need to over-play the hand; Max Cooper has been a prominent culture figure of the 2010s. Few have been so successful in interrogating and furthering the intersection between electronic music, visual art, technology and science in the past ten years. As a DJ and live performer, he has featured at nearly every major festival and club that one could list. An instalment in the BBC Essential Mix series; a Cercle livestream inside the Musee Bourdelle that reached hundreds of thousands of fans; Glassforms, a reinterpretation of Philip Glass work; and even a collaboration with Zaha Hadid Architects, mapping projections onto an 18th century castle, variously speak to his thrum of high-profile activity in recent years. Cooper has an arms-length wingspan of achievement. Yet the grand question that keeps his mind ticking as the 2020s begin is, in his own words, a question of communication. Cooper wants to present a diverse palette of experiences without diminishing them to show you his world on multiple levels, without it ever appearing daunting. And it shouldnt be daunting: Coopers music is lush, emotive and grand, and the way he brings this to life, using everything from binaural sound positioning to 360 visual panelling, is meticulous, technical and often powerful to behold. But all the elements are highly accessible. You could, after all, walk through the Aether installation Cooper worked on with Architecture Social Club, or feel the ripples on your fingers when 4DSOUND speakers pushed swells of bass and soaring arpeggios outward from his equipment and into the physical ...
| Website | http://maxcooper.net |
| Revenue | $6.3 million |
| Employees | View employees |
| Industry | Hospitality General, Hospitality |
| Competitors | MAU5TRAP RECORDINGS, Moby, Odesza, DJ Shadow, Paul van Dyk, Moudaber, Jamie XX, Infected Mushroom, Tycho, Kaskade Music +6 more (view full list) |
| SIC | SIC Code 792 Companies, SIC Code 79 Companies |
| NAICS | NAICS Code 7115 Companies, NAICS Code 71 Companies, NAICS Code 711 Companies |
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The Max Cooper annual revenue was $6.3 million in 2026.
The NAICS codes for Max Cooper are [7115, 71, 711].
The SIC codes for Max Cooper are [792, 79].