LEIMAY Competitors

Founded in 1824, Rensselaer Polytechnic Institute is the nation’s oldest technological university. Our university promotes excellence across a broad continuum of disciplines—from engineering and biotechnology to athletics and the arts. Rensselaer’s creative spirit also fosters limitless opportunities for diverse disciplines—and people—to connect, intersect, and enrich one another in ways that benefit the larger world.

New York Theatre Workshop is a remarkable off-Broadway theatre noted for its acclaimed and innovative productions... a workshop where artists create new work, hone their craft and collaboratively explore theatre... all rooted in our cozy East Village digs located in the heart of New York's downtown arts scene. NYTW is committed to the development of innovative theatre by supporting theatre artists at all stages of their careers, providing an environment where work can be created free from the artistic compromise and forbidding financial demands often associated with commercial ventures. Over the past two decades, NYTW has evolved to become a significant force in New York City's vibrant cultural landscape and is now recognized as one of the leading producing theatres of original work in the United States. The Workshop places the artist at the center of its mission, and, as a result, the work developed and produced here is aesthetically, thematically, and methodologically diverse. During the course of a season, audiences can engage with an eclectic mix of theatre, including full-scale musicals, bare-bones readings, and multimedia productions. NYTW is renowned for producing intelligent and complex plays that expand the boundaries of theatrical form and in some new and compelling way address issues that are critical to our times. The Workshop boasts a long list of acclaimed work that includes Tony Kushner's Slavs! and Homebody/Kabul, Martha Clarke's KAOS and Vienna: Lusthaus (revisited), Caryl Churchill's Mad Forest, Far Away and A Number, Jonathan Larson's Rent, Athol Fugard's My Children! My Africa!, John Guare's Lydie Breeze, Doug Wright's Quills, Claudia Shear's Blown Sideways Through Life and Dirty Blonde, and Ivo van Hove's productions of A Streetcar Named Desire and Hedda Gabler. Will Power’s hip-hop Greek tragedy The Seven will be seen around the country in upcoming years.

As one of New York City’s oldest nonprofit alternative art centers, The Kitchen is dedicated to offering emerging and established artists opportunities to create and present new work within, and across, the disciplines of dance, music, theater, visual art, and literature. Recognizing its longstanding legacy for innovation, The Kitchen remains devoted to fostering a community of artists and audiences, offering artists the opportunity to make—and for audiences to engage with—work that pushes the boundaries of artistic disciplines and strengthens meaningful dialogues between the arts and larger culture. Founded as an artist collective in 1971 by Woody and Steina Vasulka and incorporated as a nonprofit two years later, The Kitchen was among the first American institutions to embrace the emerging fields of video and performance, while presenting visionary new work in established disciplines such as dance, music, literature, and film. This unique combination generated an environment immediately conducive to groundbreaking explorations, helping launch the careers of many artists who have defined the American avant-garde, including Laurie Anderson, Charles Atlas, Lucinda Childs, Bill T. Jones, Robert Longo, Robert Mapplethorpe, Cindy Sherman, Kiki Smith, and Elizabeth Streb, among many others. Today, The Kitchen is an internationally-acclaimed institution supporting artists from every area of culture in the effort to create an art for our time.