Jazzhouse Competitors

Conceived over 60 years ago as one of the nation’s first nonprofit theaters, The Public has long operated on the principles that theater is an essential cultural force and that art and culture belong to everyone. Under the leadership of Artistic Director Oskar Eustis and Executive Director Patrick Willingham, The Public’s wide breadth of programming includes an annual season of new work at its landmark home at Astor Place, Free Shakespeare in the Park at The Delacorte Theater in Central Park, the Mobile Unit touring throughout New York City’s five boroughs, Public Works, Public Shakespeare Initiative, and Joe’s Pub. Since premiering HAIR in 1967, The Public continues to create the canon of American Theater and is currently represented on Broadway by the Tony Award-winning musical Hamilton by Lin-Manuel Miranda. Their programs and productions can also be seen regionally across the country and around the world. The Public has received 60 Tony Awards, 190 Obie Awards, 57 Drama Desk Awards, 61 Lortel Awards, 36 Outer Critics Circle Awards, 13 New York Drama Critics’ Circle Awards, 62 AUDELCO Awards, 6 Antonyo Awards, and 6 Pulitzer Prizes. Cover photo by Steve Brown

Founded in 1981, Blue Note Entertainment Group is a multi-faceted entertainment company that owns, operates, licenses and/or programs Blue Note Jazz Clubs worldwide, including New York, NY; Tokyo, Japan; Milan, Italy; Waikiki, Hawaii; Beijing & Shanghai, China; Napa, California; and Rio de Janeiro & Sao Paulo, Brazil. The company also owns and operates Sony Hall. Additionally, the company programs the Regattabar Jazz Club (Cambridge, MA) and Blue Note-branded concerts throughout Italy. Blue Note Entertainment Group presents shows outside of its club network. The annual Blue Note Jazz Festival was established in 2011 and has since grown to become the largest jazz festival in New York City each June. Subsidiaries of Blue Note Entertainment Group include the GRAMMY®-nominated record label Half Note Records, whose catalogue includes over fifty titles recorded live at New York's Blue Note Jazz Club, as well as Blue Note Travel and Management Group.

In 1959, saxophonist Ronnie Scott opened the door to a small basement club in London’s West End where local musicians could jam. Today Ronnie Scott’s is one of the world’s most famous jazz clubs, hosting sold-out shows practically every night. Since the early days of Sarah Vaughn, Count Basie and Miles Davis, the club continues to present the biggest names in jazz, soul and blues, all of whom shun the concert halls in favour of the intimate and welcoming environs of the club. Ronnie Scott’s is also a club firmly on the cutting edge; the first place to catch hotly-tipped rising stars, visionary artists and the next big thing.