Rock Era is an on-line "nonprofit" music magazine since 2004. Although we went on hiatus in 2011, that didn't mean we neither neglected our own music scene, nor the independent music scene worldwide, which was growing by each day.
Since we started, our main goal was to promote the underground scene worldwide to help them nourish and shed lights on these young talents by interviewing them, reviewing their albums, and concerts.
We were honored to have interviews with both underground and international bands. Also, all new album reviews for you to catch the latest as well new programs and articles every week.
In addition t more than 35 media partner around the world includes PR agencies, record labels, festivals and music production studios.
Lazy Bones Recordings is an indie label and music publishing company founded by Scott Schorr. Its focus has always been on the music, not the hype or latest trend. We work with the finest indie bands and singer/songwriters and foster a creative environment to produce first rate recordings. With few exceptions, we work with our artists from the inception of the recording through completion of the Master. Our goal: to work with the potential "catalog" artists - one that creates numerous, meaningful recordings that will stand the test of time. Once done, Lazy Bones licenses the artists' songs to the film, television and advertising world.
Ross Wilson is probably the only person in Australian rock music who cant make a comeback simply because hes never been away. In a career that spans over 40 years Ross remains one of this countrys most respected artists. From Daddy Cool to Mondo Rock, as a solo artist, or as songwriter of A-grade classics such as Eagle Rock, Cool World and A Touch of Paradise, or producer of the legendary Skyhooks, Jo Jo Zep, The Johnnys, & The Screaming Jets, Rosss involvement with success has continued unabated. He fronted Daddy Cool & exploded out of the 70s playing rootsy 50s sounds. Then formed Mondo Rock who surfed the contemporary scene with chart topping singles & albums from the mid 70s to the late 80s. As a solo performer and major songwriter he continued to achieve success & make his mark during the 90s & beyond with his songs being recorded by artists as diverse as Jimmy Barnes, John Farnham, DEF-FX, Custard, Jennifer Rush (EU), Troy Cassar-Daley, Leslie Avril, Hey Gringo, You Am I, Uncle Bill, Keke (Spain), Renee Geyer, Christine Anu, Duane Jarvis (US), Elkie Brooks (UK), Ann Kirkpatrick & Lee Kernaghan, Sovereign, Pleasantville, Beccy Cole, Sonic Jihad, and The Wiggles! On trips to Europe & the USA he collaborated with O/S writers & concluded the millenium as a special guest performer on John Farnhams I Cant Believe Im 50 tour & live CD/DVD. 2001 saw Ross back on the frontline as the result of a decision to return to regular live performing & recording. A new solo album GoBONGO GoWild! was released in April 2001 displaying the vital influence that blues-based music, such as early R&B and jazz, continues to have on his performance & songwriting styles. Rave reviews for GoBONGO GoWild! led to an alliance with Shock Records & the November 2001 release of Now Listen! The Best of Ross Wilson, a 30 track, 2CD distillation of Rosss career to that point. From his first release with The Pink Finks in 1965, to brand new tracks & previously unreleased early recordings, as well as the major hits of Daddy Cool & Mondo Rock, ...