Creative Land Trust Competitors

ULI - the Urban Land Institute is a 501(c) (3) nonprofit research and education organization supported by its members. Founded in 1936, the institute now has over 40,000 members worldwide representing the entire spectrum of land use and real estate development disciplines, working in private enterprise and public service. As the preeminent, multidisciplinary real estate forum, ULI facilitates the open exchange of ideas, information and experience among local, national and international industry leaders and policy makers dedicated to creating better places. The mission of the Urban Land Institute is to shape the future of the built environment for transformative impact in communities worldwide. Members say that ULI is a trusted idea place where leaders come to grow professionally and personally through sharing, mentoring, and problem solving. With pride, ULI members commit to the best in land use policy and practice.

Established by Congress in 1965, the National Endowment for the Arts is an independent federal agency that is the largest funder of the arts and arts education in communities nationwide and a catalyst of public and private support for the arts. By advancing opportunities for arts participation and practice, the NEA fosters and sustains an environment in which the arts benefit everyone in the United States.

As the leader in its field, Public Art Fund brings dynamic contemporary art to a broad audience in New York City and beyond by mounting ambitious free exhibitions of international scope and impact that offer the public powerful experiences with art and the urban environment. Public Art Fund was founded in 1977 by Doris C. Freedman (1928-1981), a champion of public art who served as New York City's first Director of Cultural Affairs, President of the Municipal Art Society of New York, and was a tireless supporter of New York City's Percent for Art legislation. In 1971, she founded the Public Arts Council while at the same time serving as president of City Walls Inc. Under her leadership, both organizations developed programs to explore the potential for art to become an integral aspect of urban public spaces. In 1977, she merged the two to form the independent, non-profit Public Art Fund. Since its inception, Public Art Fund has presented more than four hundred artists' exhibitions and projects at sites throughout New York City’s five boroughs, making it possible for artists to engage diverse audiences and, along the way, redefine public art in relation to the changing nature of contemporary art.