Creamfields Competitors

WEAREONE.world is a family-owned global entertainment company, rooted in Belgium and driven by imagination, innovation, and passion. The group is best known for creating and organising world-renowned festivals such as Tomorrowland. Today, more than 400 dedicated team members bring stories to life from the headquarters in Antwerp and offices in Brazil, France, Ibiza, and Thailand. Together, they develop world-class festivals and events, music and media platforms, lifestyle and design products, leisure concepts, and original storytelling formats. With creativity at its core and music at its heart, WEAREONE.world continues to build meaningful connections with the global community of the People of Tomorrow. Alongside its creative ambitions, the company actively invests in sustainability, social responsibility, and long-term positive impact via Love Tomorrow and Tomorrowland Foundation.

The ULTRA brand in relation to live events was founded in 1997 in Miami by Executive Producer, President & CEO, Russell Faibisch, who began by producing electronic music events which led to the inaugural Ultra Music Festival® in 1999 on the sands of Miami Beach. Over the past nineteen years, thousands of the world’s most iconic DJs, producers and live acts have mesmerized audiences with awe-inspiring sets at ULTRA festivals in ARGENTINA, BALI, BRASIL, CHILE, CROATIA, IBIZA, JAPAN, KOREA, SINGAPORE, SOUTH AFRICA and of course MIAMI, as well as ROAD TO ULTRA® events in BOLIVIA, CHILE, COLOMBIA, HONG KONG, JAPAN, KOREA, MACAU, PARAGUAY, PERU, THE PHILIPPINES, PUERTO RICO, SINGAPORE, TAIWAN, THAILAND and the USA. Each new global edition has been founded on the same successful recipe that has been perfected over nineteen years in Miami, combining the most diverse electronic talent with the most technologically advanced, large-scale festival productions in the world. 2016 and 2017 have seen the ULTRA and ULTRA WORLDWIDE™ brands continue to push the boundaries even further, bringing an unparalleled combination of cutting edge productions and the world’s best electronic acts back to previous strongholds and new frontiers across the globe. With the SOLD-OUT edition of ULTRA Brasil®, ULTRA Singapore™ having become a full scale two-day festival, RESISTANCE’s debut standalone South America Tour, and the debut of ROAD TO ULTRA®’s Hong Kong, 2016 was the brand’s most successful year to date. A RESISTANCE summer residency at Privilege Ibiza is confirmed for 2017, while ULTRA China will debut in Shanghai on September 9-10, 2017. Also in 2017, two ROAD TO ULTRA® events will take place in New Delhi and India. ULTRA® have revealed further expansion into Australia for 2018. The ULTRA brand will be present in at least TWENTY-THREE COUNTRIES across SIX CONTINENTS worldwide by the end of 2018.

The Glastonbury Festival aims to encourage and stimulate youth culture from around the world in all its forms, including pop music, dance music, jazz, folk music, fringe theatre, drama, mime, circus, cinema, poetry and all the creative forms of art and design, including painting, sculpture and textile art. A large area of the Festival (the “green” area) is set aside for complementary and alternative medicine, demonstrations and displays of environmentally-friendly technologies and techniques, various forms of religious expression, and a forum for debating environmental, social and moral issues. The Festival organises market places, selling an enormous range of wares, and which place particular emphasis on offering high quality prepared food and hand-made goods, including clothes and jewellery. The company makes films and recordings of the event, which are sold all over the world. In addition to all of this, the company actively pursues the objective of making a profit. And in so doing is able not only to make improvements to the site, but also to distribute large amounts of money to Greenpeace, Oxfam, Water Aid and other humanitarian causes which enhance the fabric of our society. In the running of the event the Festival deliberately employs the services of these organisations, increasing the amounts they can raise towards their objectives.